Review: It is often said that Wes Anderson walk fine line between madness and genius things. No more Budapest Hotel, however, this difference does not exist: Comic becomes glossy and shiny never been this fun. This is the best work, or at least a film with all Andersons creative impulses that work in the same direction, creating a coherent work of art. Film was always original, best, and out of this world, but was never as much as the audience is immersed in Andersonland in this film. Color skins, camera movement, that switching between different parts of the set, music, lens distortion, ridiculous stellar cast, all elements of brand Andersons, combine to make Final Anderson movie. Just completely ridiculous CGI used to add surrealistic film. It is also very well done, not only visually, but structural. Unlike some of his work before him, corrections, and to stimulate the rhythm step-perfect.Is Budapest is a great movie? Im not sure. It does not address the problems of death, love, despair, great. On the other hand, it can be traced and nostalgia, desire for wider slip past them at length, and it is made Character interesting. It is technically a comedy detective, and it should be noted that the genre seems to suit Andersons very peculiar brand of achievements assets. But never have they Hitchcocks MacGuffin was as clearly made as a boy about and Apple. The plot is just a mechanism that allows Anderson to transport their vision of the screen, type a vision of the world seemed to be different from our own, but is fraught with as many pairs ; did and, at the same time, compassionate person as we have. There is a comedy, but it is either very thin or very too much, and most spectators is comfortable with both. There is not an ordinary shot, almost every image to such an extent that they begin to form a ridiculous one coherent film, and fantastic in this. |
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